Cleaners (2019): Analyzing Glenn Barit’s Way of Navigating Familiarity and Nostalgia Through Visual Treatment, Aesthetic, and Space-Time Relations in the “New Normal”
Zandra Mae T Beo | Raiza A Masculino | Celina Mae M Medina
Discipline: Essay
Abstract:
Three years have passed since the onset of COVID-19. Now, the world is
slowly shifting towards a post-pandemic routine, the ‘new normal.’ Consumer
behavior, workplace practices, learning styles, and lifestyle habits have changed
and will never be the same. In this paper, we suggest how Cleaners can be viewed
as a post-pandemic film that would benefit from being reintroduced to the
Filipino masses. We explain how Cleaners effectively utilizes film language to
create a visual simulation of the Filipino high school experience and how all those
elements led to making a chronotope where Filipinos can go back and reflect on
their pre-pandemic life—hanging out with friends until dawn without stressing
about losing their face masks, going to prom without overthinking how many
people you have come into contact with, or casually visiting your sick classmate’s
house just because they caught the ordinary flu. In this paper, we frame how and
why Cleaners, a film that tells a series of bittersweet tales and ends with a glimmer
of hope that shows how people find solace in one another even on the gloomiest
of days, deserves a nationwide commercial run.
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