HomeIAMURE International Journal of Literature, Philosophy and Religionvol. 2 no. 1 (2012)

When Silence Means “YES”: Unravelling Danilo’s Guilt in Amelia Lapeña-Bonifacio Play Sepang Loca

Simplicia T. Tordesillas

Discipline: Literature



 No other field of literature can quite equal the drama in its faithful representation of life. A solid jolt of reality can connect the audience to the primeval human instincts not readily understood in everyday life. Confronted by conscience, it is natural for a person to seek closure and meaning to achieve catharsis that sometimes drama can provide when real life cannot. The study aims to examine Danilo’s character in relation to his seeming indifference to the indignation of his parents and the town folks at the heartless father of Sepang Loca’s child; to identify the various instances that allude or point to him as the criminal; and, to analyze his behavior, feelings and thoughts about the phenomenon. The descriptive method is used to (a) trace his social background and moral values; (b) reveal Danilo’s crime based on his actions, what he says or thinks, and his silences, and to infer if there has been any remorse on his part; and, (c) the role of the large black mole shaped like a teardrop that runs among sons of Danilo’s clan. The study tries to unravel the extent of Danilo’s crime, guilt and remorse. It is hoped that through his character, the play succeeds in stirring social conscience and kindling transformative energy to effect change in the way society deals with idiots.