Home⇛NRCP Research Journal⇛vol. 25 no. 2 (2026)

Deepfakes and Epistemic Rights: Violations to the Knower and the Known

John Martin Diao

Discipline: social policy

 

Abstract:

Deepfakes, synthetic and ultra-realistic audio, visual, or audio-visual media, pose complex epistemic challenges by undermining individuals as both knowers and knowns. This study examines how deepfakes violate the epistemic rights of individuals using Lani Watson's account of epistemic rights. However, Watson's concept requires expansion to adequately capture individuals not only in their capacity as seekers but also as objects of information. Drawing on Mathias Risse's concept of the epistemic actor, this paper expands the scope of epistemic rights beyond Watson's original formulation to include the role of individuals as epistemic actors: knowers and knowns. This study then offers a contextual analysis of deepfakes by developing a typology along two axes: deception and malice, to account for the purposes and intentions of their creation. The expanded framework is subsequently applied to assess the actual and potential epistemic rights violations associated with deepfakes. The analysis shows that different forms of deepfake creation generate distinct violations of correlative epistemic duties, resulting in primary and secondary epistemic harms. The study concludes by recommending legal regulation, ethical standards, media literacy, and the incorporation of new correlative epistemic duties to address the epistemic threats posed by deepfakes in digital contexts.



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